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· 27 min read

When is reusable event signage cheaper than printing a new set?

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You're looking at another print quote for your next event. The signs say almost exactly what they said last time. Ticket holders this way. Toilets around the corner. Please have your tickets ready. Surely buying a set you can keep would be cheaper?

It can be. Reusable event signage costs less when the printing you actually avoid is worth more than the purchase, updates, storage, transport and work needed to use the set again. The number that matters is how often those particular signs can do the same job, in good condition, before the information or your event changes.

My starting recommendation is to keep stable information on reusable pieces and put changing information on replaceable panels. Then compare the complete costs over a realistic programme. You may find that your entrance signs are worth keeping while your sponsor wall should still be printed for each edition.

We'll work through that decision with a fictional paid event series, including a calculation you can copy, questions to send your supplier and the checks that stop a supposedly reusable purchase becoming another box nobody opens. All prices and event counts in the example are invented assumptions in US dollars. They are not supplier quotes, industry averages or promised savings.

Decide which information will survive another event

The first thing you want to do is open your sign list, rather than your printer's catalogue. Look at the words, the location and the reason each sign exists. A durable board has little commercial value if its message expires on Sunday.

Start with ordinary attendee directions. Ticket help, information, cloakroom and water may be useful across a series. Even here, check the details. A sign saying "Water" can move to another refill point. A sign saying "Water upstairs beside room 4" depends on a particular building and layout.

Dates, session names, prices, performers and sponsor identities change more often. You can keep a frame while replacing the printed face, but the replacement face is still a cost. Ask which part the supplier means when they describe a product as reusable. You need to know what stays and what you buy again.

Divide the list into information that stays accurate, information you can replace separately, and pieces that need a fresh design. This doesn't require a complicated system. A column beside each sign is enough, provided somebody checks the wording against the next actual booking.

A welcome sign illustrates the choice. Printing the event name, date, venue and presenting sponsor onto one large surface gives you a complete design for this edition. Keeping the event name on the main surface and using a separate date panel may preserve most of the sign next time. Whether that helps depends on how much the panel costs and how it attaches.

Think about arrows separately from destination names. Your ticket desk may move between venues, or the approach may reverse. A permanent left arrow can make a useful destination panel unsuitable. A system with approved interchangeable directions may be more flexible, provided the pieces remain clear and cannot slip into the wrong position.

Don't make everything generic just to extend its life. A vague sign saying "This way" needs context. A destination name that means something to your audience is more useful. Keep the information people need, then decide which parts should be permanent.

Our event signage guide covers placement, wording and the attendee journey. Use that work to establish the signs you need before comparing reusable formats. The buying decision should preserve the information plan you've already agreed.

Count the uses your proposed set can actually cover

An event calendar can make almost any purchase look sensible. You run several shows, they're all paid events and they all need signs. But that doesn't mean the same set replaces the print order at every one.

Check each intended use against the actual requirement. An indoor conference board may not suit an outdoor market. A compact sign that works at a registration desk may be unreadable across a festival approach. Different languages or venue names may require different printed faces. Count a use only when the proposed item is suitable.

Check what the venue already provides. If the building has clear permanent toilet directions, you may only need a connecting sign at your entrance. Buying a full second system won't avoid a print cost you never needed to incur. Ask the venue to confirm what stays visible during your hire, including after other temporary installations arrive.

Next, check the calendar and transport. One set cannot serve two separate venues at the same time. Closely spaced dates also need room for collection, inspection, cleaning and delivery. If the van cannot make the journey within your access windows, the second event still needs another arrangement.

Keep tentative events separate from funded, booked dates. You can show an optimistic scenario, but don't present a possible expansion as confirmed use. If the purchase only becomes cheaper after a series you haven't sold, funded or secured, you're choosing to take that risk. Write it down plainly.

Choose a time period as well as a use count. Eight uses within one year have different storage and cash implications from eight uses across several years. Some costs follow the calendar even when no event happens. Spreading an annual storage bill across fewer dates doesn't make the bill disappear.

For a new event format, I would usually test a small reusable order before buying the whole set. See whether the words stay useful, whether the crew can handle it and whether the venue accepts the proposed installation. A sample that survives an actual event tells you more than a claim that the material is durable.

Avoid a universal target such as "it pays for itself after three events". That answer depends on the specification, the costs you avoid and the work you add. Your calendar supplies the opportunities. The actual signs and operating arrangements determine which opportunities become savings.

Compare complete quotes for the same job

Ask suppliers to quote against one agreed sign list. Give them the quantities, dimensions, intended positions, viewing conditions, artwork and installation requirements. If the reusable offer includes fewer signs or smaller lettering, you haven't found a saving yet. You've changed the job.

Get the new-print option priced through removal. Include artwork preparation, proofs, print, finishing, suitable supports, delivery, installation and disposal where they apply. If existing supports can be used again, say so. The comparison should reflect the arrangement you would really buy.

For the reusable option, identify the initial purchase separately from later charges. You may need frames, panels, bases, cases, protective sleeves and spare fixings. Confirm that the quote supplies a usable set, rather than attractive printed faces without the parts needed to stand them safely.

New Zealand Government Procurement's definition of total cost of ownership includes the purchase and the other costs and benefits over its life, such as operation, repairs and disposal. That's a useful way to frame this commercial comparison. Its government procurement rules do not automatically apply to your event business.

Ask what updating means in practice. Does a new sponsor require replacing a small insert, a full graphic or the complete unit? Who prepares the artwork? Is there a minimum order? Can the printer supply the same format next season? A cheap replacement part is less helpful if nobody can obtain it before your next build.

Include the work at both ends of the event. Loading, installing, collecting, cleaning and checking the signs take time. Existing staff may handle some of it within an agreed shift. Other work may require overtime, a courier or a separate collection. Record the difference instead of assuming that anything done by your team is free.

Keep shared costs visible without counting them twice. If both options need the same installation crew for the same hours, that cost won't change the choice. If the reusable system takes longer to assemble, include the extra work. Explain what you have excluded and why, so the next person can compare the quotes fairly.

Use a consistent tax basis. Compare recoverable taxes consistently with your finance adviser, and include charges you cannot recover. Check whether delivery prices cover your actual postcode, stairs, loading restrictions and collection time. A headline unit price cannot answer those questions.

Finally, confirm what belongs to you. If the supplier stores your stock, establish ownership, access, release charges and what happens when the relationship ends. You don't want to discover that moving your own signs requires a fee you never included.

Work out when reuse becomes cheaper

Here's the fictional example we'll use throughout. Northbank Market runs a paid indoor event series. It is comparing a set for twenty recurring sign positions across eight booked dates within one twelve-month season. The same requirement applies at each date, and the signs can move between them without clashes.

The comparison covers those twenty positions only. A separate allowance for changing programme boards and sponsor displays is identical under both options and stays outside the calculation. Keeping that boundary clear matters. A saving on twenty recurring signs doesn't mean the whole event print budget disappears.

Printing a fresh set costs $460 per date. That consists of $300 for the printed pieces, $60 for artwork preparation, $60 for handling and $40 for delivery and disposal. Existing suitable supports are available for the fresh-print format. The proposed reusable format needs its own compatible frames, priced below. Both deliver the same agreed information at the same positions, with equivalent readability. Check whether your existing supports could serve either option before buying more.

The reusable purchase costs $1,440 upfront. Frames and supports cost $900, the initial panels cost $360 and protective cases cost $180. Storage for the full twelve-month comparison period costs $240. The initial purchase plus the full seasonal storage commitment therefore totals $1,680, before adding the costs of using the set.

Each use of the reusable set adds $180. This includes $40 for changing inserts, $60 for handling labour, $50 for transport and a $30 cleaning and minor-repair allowance. The insert charge applies from the first date. The allowance is a planning estimate, not evidence that a repair invoice will arrive every time.

Both options use the same agreed tax basis. The example excludes financing and tax deductions. It assumes no resale income or disposal charge at the end of the comparison period. Add either if your actual arrangement includes it. It uses purchase outlay, so you must not add depreciation as another expense in this comparison. For a larger or longer investment, ask finance to account for payment timing and financing properly.

The calculation is straightforward. For any number of completed eligible uses during that same season, fresh printing costs $460 multiplied by the number of uses. Reuse costs $1,680 plus $180 multiplied by the number of uses. You can copy those two lines and replace every assumption with your own.

At four uses, printing costs $1,840. Reuse costs $2,400. Keeping the set therefore costs $560 more during the comparison period. It may be physically reusable, but it hasn't become the cheaper option.

At six uses, each option costs $2,760. This is the equality point, often called break-even. At seven uses, printing costs $3,220 and reuse costs $2,940. Reuse is first cheaper at that seventh completed use, by $280 under these assumptions.

At eight uses, printing costs $3,680 and reuse costs $3,120. The difference is $560 in favour of reuse. Those totals include the full $240 seasonal storage bill in every scenario. Four uses do not get a smaller storage bill simply because fewer events happen.

You can also find the equality point by dividing the $1,680 purchase and storage cost by the $280 difference between printing and reusing at each date. That gives six uses. When the result isn't a whole number, check the next whole completed use to find when reuse becomes cheaper. Equality itself is not a saving.

If the reusable cost per date equals or exceeds the printing cost per date, extra uses won't recover a positive upfront purchase under this simple model. Revisit the specification or compare another option. There is no reason to force a positive answer just because the product is sold as reusable.

Test the assumptions before approving the order

Northbank's eight-date plan appears to save $560. That's useful, but the result has little room for costs the team forgot to include. Before committing, ask which assumptions are most likely to change and calculate those cases separately.

Start with fewer events. If two dates are cancelled without replacement, the remaining six uses only reach equality. At four completed uses, reuse costs $560 more. These reduced-use cases assume the cancelled dates incur no per-date print, handling or transport charges, while the purchase and full seasonal storage cost remain committed. Add any cancellation charges that your actual agreements require. The team still owns its signs, but any later benefit belongs to a later forecast. It doesn't change the first season's result retrospectively.

Now test storage. Suppose the quoted space turns out to need another $480 for the same season. The fixed amount rises to $2,160. With the original $180 per-use cost, eight uses cost $3,600 against $3,680 for printing. The projected saving falls to $80. A modest difference on the buying spreadsheet can vanish in a storage conversation.

Test handling and transport too. In a separate scenario, keep the original $1,680 fixed amount but increase the reusable per-use cost to $220. Seven uses now cost $3,220, exactly the same as printing. At eight uses, reuse costs $3,440 and saves $240. These are alternative tests, not costs already added to the base example.

What about a full change of printed faces? If a rebrand requires another $360 of panels during the first season, add that charge to the base case. Assuming the fresh-print quote still covers the revised artwork at $460 per date, eight reusable uses then cost $3,480 and save $200 against printing. Check whether the replacement affects the $40 insert allowance too. Counting a full replacement and the same work again would overstate the cost.

Don't turn these tests into invented probabilities. You don't need to say there is a particular percentage chance of cancellation unless you have evidence for it. Show the booked programme, a reduced-use case and the known cost exposures. The person approving the purchase can then judge the risk against actual commitments.

Check the timing of the money as well. Northbank needs $1,440 for the initial purchase before the signs can be used, with storage paid under its agreed terms. Fresh printing spreads more of the spend across dates. A lower season total doesn't automatically make the upfront payment affordable.

Put the actual payments into your event cash-flow forecast. Check the balance when venue deposits and other commitments fall due. Ticket income arriving later doesn't pay today's supplier invoice. If the purchase leaves too little money for confirmed obligations, delay it, reduce the order or compare a hire arrangement.

I would approve the reusable order only if its useful messages, realistic uses and complete costs still make sense together. You can choose to spend more for another defensible reason, including a documented waste-reduction aim. Just call that an additional cost instead of describing it as a saving.

Make changing dates and sponsors inexpensive to update

The cheapest update starts before the first artwork is approved. Decide which information belongs on the permanent piece and which needs a replaceable part. Ask the designer and supplier to develop that arrangement together, with the actual sign size and installation in mind.

For Northbank, "Ticket help" may stay on the main panel. Session times and a venue-specific room name may go on a separate insert. That doesn't mean every sign needs several layers. If the insert makes the message harder to read or takes too long to fit, a fresh panel may be the better choice.

Get a sample of the change mechanism. Have the person who will use it remove the old information, fit the replacement and check the finished result. Time the complete job, including finding the parts and packing away what came off. A quick demonstration at the supplier's desk can miss awkward work on site.

Check that old wording doesn't show through or remain on the reverse where attendees can see it. A previous date under a translucent replacement looks careless. Two conflicting arrows are worse. The next crew needs an obvious way to identify the approved configuration before installing it.

Sponsorship creates a separate commercial deadline. Agree which surface the sponsor is buying, the dates covered and how artwork approval works. Keep those terms compatible with the reusable design. Selling permanent branding on a piece you intend to use for several different partners creates a problem before printing starts.

Loopyah's event sponsorship tools let you present priced packages and their inclusions on a private page. Use the package description to make the promised placement clear before a brand buys. You still need to agree the print specification and production approval with the people supplying the signs.

Retain the editable artwork and the supplier's production specification under your agreed rights. Know the panel dimensions, material, finishing and any required fixings. If only one contact can open the file, your next event depends on that person's availability. Confirm who can authorize a replacement when the original approver is away.

Set a print cutoff for changing information and a separate process for urgent corrections. A flexible sign system doesn't make late production free. Ask for normal and rush update prices while you can compare them calmly, then give the team one approved contact for changes.

Specify durability for the place the signs will work

"Reusable" doesn't tell you whether a sign suits your venue. Ask the supplier about the finished product under the conditions you actually expect. Indoor use, exposed outdoor use, repeated packing and frequent cleaning can require different specifications. Get the relevant limits in writing.

Describe the supports and attachment points as carefully as the printed material. Confirm the venue's restrictions on adhesives, drilling, hanging and freestanding objects. For exposed installations, have the responsible competent supplier assess the structure and weather requirements. Don't choose ballast or fixings by copying a photograph of another event.

Keep required safety signs under the venue and event safety arrangements. Great Britain's HSE says employers must maintain the safety signs they provide, with signs required where a significant risk cannot otherwise be avoided or controlled. That guidance does not turn a branded directional board into a compliant safety sign.

Accessibility also needs care. The US Access Board's guide to signs under the ADA Standards explains visual and tactile requirements and the exemption for temporary signs posted for seven days or less. Don't apply permanent-sign requirements indiscriminately to event boards, or treat an exemption as a reason to make directions hard to read.

Ask the designer to check contrast, reflections and legibility in the intended conditions. Test from the approach attendees will use, under the lighting they will encounter. A replacement insert should preserve that readability. Saving the main panel is a poor trade if the changing information becomes too small to use.

Check replacement availability and repairability before buying. Can a damaged base be replaced without buying the whole sign? Can the supplier provide another compatible panel next season? Does routine cleaning affect the finish? Keep the care instructions with the stock record so the crew doesn't have to guess.

Define retirement by condition and usefulness. A frame can remain serviceable while the face needs replacing. A readable panel can still be wrong for a changed route. Inspect those separately and remove pieces that could mislead people. Planned reuse should never oblige the team to install something unsuitable just to reach a forecast use count.

When hiring or sharing is the better option

Buying and printing again aren't your only choices. If another business can provide suitable reusable hardware locally, hiring may avoid the storage and transport that make ownership expensive. Ask for the complete hire cost, including delivery, collection, your printed graphics and any loss or damage terms.

Check what the hire price actually covers. A display frame may arrive without artwork, ballast, installation or the printed face. Confirm whether your graphics belong to you afterwards and whether the same size will be available for your next date. Hiring a frame doesn't automatically preserve the investment in its contents.

For a travelling series, local hire can deserve a separate comparison in each city. Moving your owned set may be practical on one route and expensive on another. Don't spread a cheap local transfer across every event when the later dates require freight, overnight storage or an additional vehicle.

Sharing with another organizer can work when the messages, dates and venues fit. Agree who owns the equipment, who can book it and who pays for damage or replacement. Decide what happens if both events move onto the same date. Friendship is useful, but the crew still needs a confirmed set to collect.

Keep shared stock free of information that makes it unusable for the other event. A common destination panel may serve both teams, while each event supplies its own branding. Test the full arrangement with both crews. Incompatible fittings or missing cases can erase the apparent advantage of buying together.

Screens need a similar complete comparison. If the venue already supplies a suitable display, using it for changing session information may avoid a print order. Check content control, placement, visibility, power and the fallback if the display stops working. Don't replace essential physical directions with a phone scan that some attendees cannot use.

Buying a new screen only to avoid occasional printing is a different investment. Include its support, transport, storage, operation and maintenance before deciding it saves money. The ability to change a message digitally is useful, but it doesn't tell you whether that particular display is the least expensive way to communicate it.

You can mix the options. Keep the recurring ticket-help and information panels, hire an unusual large display for a special edition and print the current programme boards. Put the cost of each group against the requirement it serves. You don't need every sign to follow the same purchasing policy for the overall plan to work.

Give storage and returns an owner

The purchase decision isn't finished when the signs arrive. Somebody has to get them back, count them and make them ready for another date. Agree that person's responsibility before the first event, while you can still include the work in the crew booking.

Give the set a location people can find. Record the storage address, contact, access arrangements and where the cases belong inside. Check that the space meets the supplier's storage instructions. A vague promise that somebody has room at home won't help when that person is away on the morning of your next load-in.

Keep a simple inventory of panels, frames, bases, cases and essential fixings. Label components so the count makes sense to a new crew member. Include the current wording and a photograph where it helps identify the item. You are checking usable stock, not just the number of things in a pile.

Separate pack-down collection from condition checking if the venue exit is rushed. The crew can count cases at collection and complete a detailed inspection in the agreed preparation space. Give both tasks a deadline. Otherwise, an unchecked return tends to become next week's unpleasant discovery.

Record damaged and missing parts immediately, including whether the next booking needs them. A repair request needs a person, an estimated completion date and a decision about any substitute. Keep unusable pieces separate so someone cannot accidentally load them as ready stock.

Build transport around the actual set. Cases that require a larger van or displace other equipment can change the calculation. If the signs travel in a vehicle already going to the event, record whether they add any cost and whether they fit safely. Don't assign a full extra van charge when there is none, or assume spare capacity without checking it.

A shared set needs a booking record. Name the event, collection time, return time and person accepting custody. Include turnaround work between uses. When two teams want the same signs, decide the allocation before promising both crews a saving that only one can realize.

This is the operating detail behind the broader sustainable event checklist. Keep the sign-return tasks in your normal production schedule. The person supervising pack-down should see them alongside the other jobs required before the venue handover.

Use a short buying record and supplier brief

You don't need a long investment paper for a modest sign order. You do need enough information for another person to understand what you approved and why. Keep the comparison, the specification and the operating owner together so the next team can check the decision.

Use this buying record for each group of signs with the same useful life. Separate recurring direction panels from date-specific sponsor displays rather than averaging their costs together.

  • Required job and positions, including the information attendees must understand.

  • Quantity and specification, with the venue and designer approvals needed.

  • Existing stock or venue provision that already meets the requirement.

  • Confirmed eligible dates, comparison period and any separate tentative uses.

  • Complete fresh-print cost per date and what the supplier includes.

  • Reusable purchase cost, calendar-based storage costs and cost per use.

  • Changing parts, update prices, repair assumptions and end-of-use arrangements.

  • Collection, transport, inspection and storage owners.

  • Costs at the expected use count and at a lower completed-use count.

  • Payment dates, approval and the point when the team will review actual results.

Northbank's completed record would say twenty recurring positions, eight booked uses within twelve months, $460 for fresh printing per date, $1,440 initial purchase, $240 seasonal storage and $180 per use. It would show the $560 projected saving at eight uses and equality at six. The production lead would also record who collects and checks the set.

Send suppliers the same requirement with a clear request. Ask for a complete fresh-print proposal and a reusable proposal identifying the initial purchase, changing parts and later service charges. Ask them to list exclusions and confirm lead times for both normal updates and urgent corrections.

Include the proposed storage and transport arrangement in the brief. The supplier may have a better option, such as retaining frames locally or providing compatible hired supports. Ask them to price the alternative separately so you can see what changes, who owns the stock and whether the saving depends on another commitment.

Ask for evidence proportionate to the product claims. A durability claim needs a relevant specification or test basis. A claim about recycled content needs evidence for that content. A promise about collection needs an actual receiving arrangement. Keep those questions distinct from whether you personally prefer the appearance of the material.

Before ordering, have the approver check the totals against the quotations and the calendar against the booked programme. A useful approval names the actual set and amount. "Buy reusable signage" leaves too much for the buyer to guess when the final quote includes a different quantity or a costly extra case.

Check what happened before you buy more

After the first event, compare the operating assumptions with the work. How long did fitting the inserts take? Did everything return? Did the cases fit the vehicle? Did staff have to add temporary notices because the main messages were too generic? Those answers tell you what to change before expanding the order.

Replace allowances with actual costs as the season develops. If cleaning and repairs cost less than the amount planned, record the difference. If the crew needs an extra collection shift, add it. Keep the original forecast so you can explain why the result changed, rather than quietly editing the buying calculation until it looks right.

Check actual uses carefully. A sign left in its case hasn't replaced printing. A panel carried to the venue but removed because its arrow was wrong hasn't completed the intended job. Record the useful deployment and the fresh-print requirement it replaced, without treating every van journey as successful reuse.

At season end, Northbank can compare the costs for its completed dates with the equivalent printing alternative. If all eight uses occurred at the base assumptions, the planned difference is $560. If the actual costs or requirement changed, the result needs recalculating. The example's arithmetic doesn't establish the business's real saving.

Here's how an actual result could change the fictional eight-use forecast. Suppose Northbank still completes all eight uses, but its cleaning and repair spending totals $400 instead of the $240 allowed across those dates. Keep every other base assumption unchanged. This alternative outcome is fictional too. The reusable total becomes $3,280, so the difference against $3,680 of fresh printing falls to $400.

That comparison replaces the original allowance with actual spending. It doesn't add the full $400 on top of the allowance. Keep the repair invoices and explain the $160 difference. If the comparison also includes staff time already covered by the handling charge, separate that work before adding another labour cost.

A physical stock check helps you judge the next purchase too. Ask which messages were used repeatedly and which stayed packed. You might discover that a smaller core set would have covered the recurring need, with occasional additions printed locally. That's a useful correction to next season's order, even if the first season's buying decision was larger than it needed to be.

If the series stops, decide what happens to the remaining set. A sale, agreed transfer or donation may keep usable components in service. Check ownership and remove outdated branding or instructions before release. Record any money received and any disposal cost when they occur. Don't invent a resale figure to improve the original forecast after the fact.

Next season's decision is different because the initial purchase has already happened. Don't pay for the same frames again in a forward-looking calculation, but do include future storage, updates, repairs and any replacement stock. Keep the first season's result separately so a poor purchase isn't disguised by dropping its original cost from the historical record.

If you're considering a much larger equipment purchase alongside signs, our guide to hiring or buying event equipment works through that wider decision. Apply the same care to suitability and complete costs, then keep each purchase's forecast specific to the work it can actually replace.

Keep the environmental claim separate from the cost result

A cheaper signage plan and a lower-impact signage plan are different conclusions. You can establish one without proving the other. Your cost record might show fewer print orders, but it doesn't automatically measure manufacturing, transport, cleaning or disposal impacts.

The US EPA's materials and waste hierarchy prioritizes source reduction and reuse above recycling. That supports checking what you can avoid buying and what you can use again. It doesn't provide a carbon saving for your particular frame, panel or event series.

Keep evidence of what actually stayed in service. Separate frames from printed faces and replacement inserts. If all twenty frames return and are used again, you can record that fact. If every face is reprinted, say so. A reusable support does not make the whole print order reusable.

The UK's CMA Green Claims Code guidance calls for substantiated claims and consideration of the product's full life cycle. Its principles are useful when reviewing UK-facing marketing. For a quantified environmental comparison, obtain evidence relevant to your materials, transport, actual use and disposal arrangements.

You can still explain a modest operational improvement plainly. Describe the components reused, the period and the records behind the statement. Avoid suggesting that one sign purchase makes the entire event sustainable. If you need help shaping the wider message, our guide to communicating event sustainability explains how to keep the claim within the evidence.

For your next order, start with the sign group whose message is most likely to remain useful. Get matching quotes, check the dates and put the complete costs against them. If reuse becomes cheaper within the programme you can realistically deliver, give the set an owner and approve it. If it doesn't, reduce the purchase, change the specification or keep printing the pieces that genuinely need to change.

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Author: By the Loopyah Content Team

The Loopyah Content Team shares expert insights, practical guides, and industry updates to help event organizers create unforgettable experiences and stay ahead in the event planning world.