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After being named by Playboy magazine as one of the best-unsigned bands in the United States, Ouray found itself a staple on club and concert stages throughout the country. Their first release Chrome On the Range (Taxi Records) was a Midwest radio breakout in Billboard Magazine and is now a cult status album. Their second album Motor Dream saw the band shifting slightly from its country rock roots to a more rock oriented approach. The band was regularly seen supporting acts like The New Riders Of The Purple Sage, Sea Level, Commander Cody, Marshall Tucker Band, Asleep At The Wheel, and The Dixie Dregs. In Chicago, Ouray was in regular rotation on WXRT where they performed several XRT shows including a live UnConcert simulcast. Originally founded in 1975, brothers Frank and Bo Pirruccello (guitar and pedal steel), established Ouray as one of the most rock-oriented, tight and skillful country rock groups in the region, (as described by Playboy). Ouray 2018 reflects their ever-relevant Americana sound and includes the addition of third brother John Pirruccello (whos guitar resume includes work with Keith Richards, Nicholas Tremulis, The Autumn Defense and The Westies). John Forrest (bass) and Rick Barr (drums) complete the current line up for a show to look forward to!

Somehow what weve got never breaks down, Rhett Miller sings on Old 97s exhilarating new album, Twelfth. At first, the line comes off as a boast, as a declaration of invincibility from a band thats managed to survive three decades of rock and roll debauchery, but as the phrase repeats over and over again, it slowly transforms into something more incredulous, something more vulnerable, something deeply human.We experienced some close calls over the last few years, says Miller, and I think that led us to this dawning realization of the fragility of it all. At the same time, it also led us to this increased gratitude for the music and the brotherhood weve been so lucky to share. I think all of that combined to make recording this album one of the most intensely joyful experiences weve ever had as a band.That joy is utterly palpable on Twelfth. Loose and raw, the record is an ecstatic celebration of survival, a resounding ode to endurance and resilience from a veteran group that refuses to rest on their considerable laurels. Working out of Sputnik Sound in Nashville, Miller and his longtime bandmatesbassist Murry Hammond, guitarist Ken Bethea, and drummer Philip Peeplesteamed up once again with GRAMMY-winning producer Vance Powell (Chris Stapleton, Jack White), and while the resulting album boasts all the hallmarks of a classic Old 97s record (sex and booze, laughter and tears, poetry and blasphemy), it also showcases a newfound perspective in its writing and craftsmanship, a maturity and appreciation that can only come with age and experience. Perhaps the band is growing up; maybe theyre just getting started. Either way, Old 97s have never been happier to be alive.

RSVP HERE: https://www.eventbrite.com/e/1976746479934?aff=oddtdtcreator_______________________ Join us for a conversation with Rhett Miller and Rob about Robs new book, The Hours are Long but the Pay is Low. Free. Limited capacity.This is a FREE ticketed event with limited seating: first come, first served.Bookends s live music hall, SPACE, to present an afternoon with Rob Miller in conversation with Rhett Miller about Robs new book, The Hours Are Long but the Pay is Low: A Curious Life in Independent Music. The event will take place at SPACE, 1243 Chicago Avenue in Evanston, at 3PM.In 1993, while working as a house painter in Chicago, Rob Miller co-founded the Bloodshot Records label which featured independent artists that blended the spirit of punk and country music that he first discovered in dive clubs and oddball record stores, on flea market 45s and end of the dial radio shows. Robs new book, The Hours Are Long but the Pay is Low: A Curious Life in Independent Music (3 Fields Books, 2025) tells the story of this music scene in what Neko Case describes as a glorious, detailed landscape of how it feels to be transformed and elevated by music.Although Bloodshot nurtured unknown artists into grammy winners and sellers of hundreds of thousands of albums, Miller and the label remained fiercely independent for more than 25 years helping build the music community in Chicago and prioritizing off-the-beaten-path showcases, indie record stores, and music venues like the ones Miller worked at in his boyhood city of Detroit as a stage manager, roadie, and end-of the-night custodian.Rhett Miller is a revered and award-winning singer-songwriter known for his more than three decades fronting the popular rock band Old 97s. In addition to his songwriting, Miller has authored short stories, essays and articles that have been featured in Rolling Stone, Bookforum, Sports Illustrated, McSweenys, The Atlantic and Salon. He has also published two childrens books via Little Brown Young Readers.The discussion and Q&A will take place at the Lobby at SPACE and will be followed by a book signing. Doors will open at 2:30 PM for this event.

Somehow what weve got never breaks down, Rhett Miller sings on Old 97s exhilarating new album, Twelfth. At first, the line comes off as a boast, as a declaration of invincibility from a band thats managed to survive three decades of rock and roll debauchery, but as the phrase repeats over and over again, it slowly transforms into something more incredulous, something more vulnerable, something deeply human.We experienced some close calls over the last few years, says Miller, and I think that led us to this dawning realization of the fragility of it all. At the same time, it also led us to this increased gratitude for the music and the brotherhood weve been so lucky to share. I think all of that combined to make recording this album one of the most intensely joyful experiences weve ever had as a band.That joy is utterly palpable on Twelfth. Loose and raw, the record is an ecstatic celebration of survival, a resounding ode to endurance and resilience from a veteran group that refuses to rest on their considerable laurels. Working out of Sputnik Sound in Nashville, Miller and his longtime bandmatesbassist Murry Hammond, guitarist Ken Bethea, and drummer Philip Peeplesteamed up once again with GRAMMY-winning producer Vance Powell (Chris Stapleton, Jack White), and while the resulting album boasts all the hallmarks of a classic Old 97s record (sex and booze, laughter and tears, poetry and blasphemy), it also showcases a newfound perspective in its writing and craftsmanship, a maturity and appreciation that can only come with age and experience. Perhaps the band is growing up; maybe theyre just getting started. Either way, Old 97s have never been happier to be alive.

Somehow what weve got never breaks down, Rhett Miller sings on Old 97s exhilarating new album, Twelfth. At first, the line comes off as a boast, as a declaration of invincibility from a band thats managed to survive three decades of rock and roll debauchery, but as the phrase repeats over and over again, it slowly transforms into something more incredulous, something more vulnerable, something deeply human.We experienced some close calls over the last few years, says Miller, and I think that led us to this dawning realization of the fragility of it all. At the same time, it also led us to this increased gratitude for the music and the brotherhood weve been so lucky to share. I think all of that combined to make recording this album one of the most intensely joyful experiences weve ever had as a band.That joy is utterly palpable on Twelfth. Loose and raw, the record is an ecstatic celebration of survival, a resounding ode to endurance and resilience from a veteran group that refuses to rest on their considerable laurels. Working out of Sputnik Sound in Nashville, Miller and his longtime bandmatesbassist Murry Hammond, guitarist Ken Bethea, and drummer Philip Peeplesteamed up once again with GRAMMY-winning producer Vance Powell (Chris Stapleton, Jack White), and while the resulting album boasts all the hallmarks of a classic Old 97s record (sex and booze, laughter and tears, poetry and blasphemy), it also showcases a newfound perspective in its writing and craftsmanship, a maturity and appreciation that can only come with age and experience. Perhaps the band is growing up; maybe theyre just getting started. Either way, Old 97s have never been happier to be alive.

The Sullivan Sisters have dazzled audiences since childhood with their unique blend of fast bluegrass picking and captivating sibling harmonies, with music ranging from lyrical originals to timeless folk classics to blazing instrumentals.Inspired by the bluegrass community in North Carolina where they were born and raised, Soraya and Luciya began taking guitar and banjo lessons at ages 8 and 6. Their music drew influence from the bluegrass community surrounding them, and they carried their love of the genre with them when they relocated to Chicago.Over the past ten years, The Sullivan Sisters have toured the country as featured performers at Merlefest, the Bluegrass Hall of Fame s Romptober Festival, IBMAs Bluegrass Live Festival, the Woodsongs Old Time Radio Hour, and the Evanston Folk Festival. Their instrumental talents have garnered them national distinction, including First Prize in Banjo and Third Prize in Guitar at Rockygrass 2023, First Prize in Fiddle, Second Prize in Guitar, and Third Prize in Mandolin at RockyGrass 2025, and Second Prize in the 2024 Galax Old Fiddlers Convention Bluegrass Banjo contest. Additionally, The Sullivan Sisters won Third Prize at the 2025 RockyGrass Band Competition.The sisters have recently formed a five-piece band by joining forces with three phenomenal teen pickers and longtime friends: Oscar Caudell on mandolin, Finn McGuinness on fiddle, and Sammy Mougin on bass. The new band launched its debut to a sold-out, standing room audience in Chicago in January 2025, and has multiple tours planned for 2025 and beyond.

The Sullivan Sisters have dazzled audiences since childhood with their unique blend of fast bluegrass picking and captivating sibling harmonies, with music ranging from lyrical originals to timeless folk classics to blazing instrumentals.Inspired by the bluegrass community in North Carolina where they were born and raised, Soraya and Luciya began taking guitar and banjo lessons at ages 8 and 6. Their music drew influence from the bluegrass community surrounding them, and they carried their love of the genre with them when they relocated to Chicago.Over the past ten years, The Sullivan Sisters have toured the country as featured performers at Merlefest, the Bluegrass Hall of Fame s Romptober Festival, IBMAs Bluegrass Live Festival, the Woodsongs Old Time Radio Hour, and the Evanston Folk Festival. Their instrumental talents have garnered them national distinction, including First Prize in Banjo and Third Prize in Guitar at Rockygrass 2023, First Prize in Fiddle, Second Prize in Guitar, and Third Prize in Mandolin at RockyGrass 2025, and Second Prize in the 2024 Galax Old Fiddlers Convention Bluegrass Banjo contest. Additionally, The Sullivan Sisters won Third Prize at the 2025 RockyGrass Band Competition.The sisters have recently formed a five-piece band by joining forces with three phenomenal teen pickers and longtime friends: Oscar Caudell on mandolin, Finn McGuinness on fiddle, and Sammy Mougin on bass. The new band launched its debut to a sold-out, standing room audience in Chicago in January 2025, and has multiple tours planned for 2025 and beyond.

On her new album Still + Bright, Tennessee-bred singer/songwriter Amythyst Kiah explores the vast expanse of her inner world: her deep-rooted affinity for Eastern philosophies and spiritual traditions, a near-mystical connection with the natural environment, the life lessons learned in her formative years as a self-described anime-nerd mall goth, and much more. Produced by Butch Walker (Taylor Swift, Green Day, Weezer) and recorded at his Nashville studio, Kiahs second full-length for Rounder Records merges her revelatory storytelling with a darkly cinematic twist on the rootsy alt-rock of her 2021 breakthrough Wary + Strangean LP that landed on Rolling Stones list of the 25 Best Country and Americana Albums of 2021 and drew acclaim from major outlets like Pitchfork. With its sonic palette encompassing everything from fuzzed-out guitars and industrial-leaning beats to gilded pedal steel and Kiahs exquisitely graceful banjo work, Still + Bright makes for a vital new addition to a body of work largely dedicated to exploring the struggle and joy of true self-discovery.The latest turn in a dynamic career thats included joining Our Native Daughters (an all-women-of-color supergroup also featuring Rhiannon Giddens, Leyla McCalla, and Allison Russell), Still + Bright emerged from a deliberate transformation of the songwriting process Kiah adopted after composing her first song on a Fender acoustic at age 13. To that end, the album marks her first time opening up her approach and working with co-writers, including punk legend Tim Armstrong, Sadler Vaden (a guitarist/vocalist for Jason Isbells 400 Unit), and former Pentatonix member Avi Kaplan. Although her third LP is an undeniable departure from the anguished emotionality of its predecessor (an album informed by losing her mother to suicide at age 17), Kiah imparts each track with a hypnotic intensity born from boldly stating her convictions. Revealing her rare ability to spin her fascinations into songs uncovering essential truths about human nature, Still + Bright ultimately affirms her as an artist of both daring originality and uncompromising depth.

G. Love s unique vocal delivery, blending rap-like spoken word with bluesy singing.Their debut self-titled album, G. Love Cold Beverage, which became popular on alternative radio stations and MTV, solidifying their presence in the music scene. The bands style has been described as a mix of slacker blues and alternative hip-hop, as they frequently incorporate elements of 90s hip-hop beats with classic blues rhythms.Over the years, G. Love s That Easy (1997), The Electric Mile (2001) and the GRAMMY nominated The Juice (2020). Their sound evolved to include more soul, R&B, and rock influences, though they retained their laid-back vibe and clever lyrical play. Their 2014 album Sugar saw a reunion of the original lineup after several years, and they continued to tour and produce music with a loyal fan base.Known for their energetic live performances, G. Love & Special Sauce has played at festivals like Bonnaroo and Lollapalooza. Garrett Dutton also frequently collaborates with other artists, including Jack Johnson, with whom he shares a similar vibe, and has released solo projects that dive deeper into his blues influences. G. Love & Special Sauce remains a beloved name in the music scene, blending genres in a way that feels fresh and authentic.