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Find the best music events and make the most of your time in South Pasadena. From music to nightlife and more, we have the biggest event range and best discovery experience, there's something for everyone.

Sid The Cat Presents Draag - Miracle Drug Record Release with 16 Underground, Seko 3/26/2026 at Sid The Cat Auditorium Draag began when Adrian Acosta (songwriter, vocalist, guitarist) revived songs he recorded on his karaoke tape deck when he was 10 years old. Growing up in the northeast San Fernando Valley of Los Angeles, there was nothing for kids to do. Adrian ran the DIY punk scene movement there as a preteen. Backyard shows happened every weekend by word of mouth and flyers at school, with some shows ending in drive by shootings from rival gangs. As a kid, Adrian purposely used warped tapes and dissonant sounds without understanding what he loved about it, but upon discovering artists such as My Bloody Valentine, Boards of Canada, and Throbbing Gristle, he realized he wasn’t the only one. Adrian started Draag in 2013 as the full realization of what he’s always wanted to hear. Adrian met Ray Montes (guitar), Nick Kelley (bass), Eric Fabbro (drums), through many years in the music community in LA, who also took the craft of music seriously, running their own labels and going on tours at a young age. He met Jessica Huang (synth, vocals) through an ad on Craigslist looking for a female vocalist and multi-instrumentalist. She had a different musical upbringing, classically trained in piano and played the alto sax in marching band, and was on tumblr instead of at backyard shows. Five-piece Draag gained a reputation for their sonically immersive live shows, mostly by word of mouth. They became known for being able to transform any type of space, from a garage with one outlet to a high production venue into a lush wall of sound, described as a storm in slow motion. Equally blissful and painful, Draag interweaves shoegaze, electro-industrial, and punk elements into a bittersweet ballad. For many years they would find themselves in all different scenes, playing metal nights, dark wave shows, shoegaze shows, etc. and still belong, while never quite fitting in. There was a long period of being misunderstood and overlooked. Close friends in the LA music community, such as Marina (The Witching Hours), Kenny in the band Goon, and Shawn in Cryogeyser, saw the vision, and provided Draag with a platform to play with like-minded bands such as Wednesday and They Are Gutting a Body of Water who subvert the shoegaze genre into something far more interesting. Draag’s songs are often heavily melancholic and intense. It naturally became an outlet for emotional purging and catharsis from life experiences as highly sensitive people, making some wonder if they’re actually having any fun. Following two EPs "Nontoxic Process" and "Clara Luz," their first full length self-produced LP “Dark Fire Heresy” immerses itself in stacked layers of guitar, nintendo era synths, and warped reversed tape samples, and directly faces personal experiences recovering from addiction and religious trauma/spiritual abuse. The visual world building became more prominent with the LP, collaborating with queer graphic design artists and photographers in Guatemala and legendary LA graffiti artist Sickid for the album art, and shooting ambitious one-take music videos with videographer and photographer Devonte Johnson. Their upcoming EP “Actually, the quiet is nice,” releasing under the Philadelphia record label Julia’s War, is the liminal space between LP1 and LP2 that further explores the depths of nostalgia (a Draag specialty). Inspired by TikTok slides of anonymous Flickr uploads of someone’s friends, neighborhood on a summer day, their bedroom, etc. it struck an obsession with that particular feeling in childhood, while knowing you could go back, but no one would be home. Growing up with immigrant parents in the suburbs during the 90s is the landscape of the EP. Following the release, Draag is supporting Wednesday’s West Coast tour in May.

Sid The Cat Presents Westerman W/ Otto Benson 4/3/2026 at Sid The Cat Auditorium Westerman is a London-born, Athens-based artist and songwriter signed to Partisan Records. Known for his thoughtful lyrics and genre-fluid sound, he has earned critical acclaim across two full-length albums and multiple EPs, with support from Pitchfork, Rolling Stone, The Guardian, Stereogum, NPR Music + more.

Sid The Cat Presents DJ Crenshaw 2/26/2026 at Sid's Bar 5:30pm - Close

Sid The Cat Presents Porches "Pool" Anniversary Solo Show 2/26/2026 at Sid The Cat Auditorium

Sid The Cat Presents Freak Scene With DJ Jenny LSQ at Sid's Bar 7pm - 12am

Sid The Cat Presents DETENTION BAD MUSIC HAS NEVER SOUNDED SO GOOD. POST PUNK, INDY SLEEZE, SOPHISTI-POP, & RAP SELECTED BY NAEEM at Sid's Bar 7pm - Close

Sid The Cat Presents Eternal Love W/ SECRET HEADLINER, .com, The Citie, Lovers Guilt 3/6/2026 at Sid The Cat Auditorium


Buck Meek says that love songs are the hardest songs to write. “Not break-up songs, but an actual love song written in earnest? That is taboo now,” he says. “Sometimes it can feel like all the great love songs have already been written.”
Get ready for an another unforgettable night as Catatonic takes over the Visionarium main hall with a Jazz Fusion performance!
Britta Thomas brings a solo cello performance unlike anything you’ve seen before. Enjoy live music, authentic Italian food and wine, and an atmosphere that invites you to slow down and truly listen.
Sid The Cat Presents Mike Krol W/ Twisted Teens, VOILÀ! 3/7/2026 at Sid The Cat Auditorium Of all the breakups in Mike Krol’s songs, the most harrowing story is about his breakup with music. In 2015, coming off his best record yet and the ensuing world tour, Krol found himself in the midst of a full-blown existential crisis. He’d invested everything to create the rock-and-roll life he’d always wanted, but he wasn’t sure the life wanted him back. Power Chords, Krol’s new Merge release, picks up where 2015’s Turkey left off. It traces Krol’s journey back to punk rock, harnessing both the guitar technique and the musical redemption referenced in its title.

Sid The Cat Presents SASAMI with Leng Bian, South Bay Harmony 3/14/2026 at Sid The Cat Auditorium Two Sasami’s exist in harmony. First is Sasami Ashworth, the conservatory-trained classical French horn player, producer, and composer—an artist with a studious approach to craft. And then there is all-caps SASAMI, the fearless performer and protagonist of her three increasingly audacious albums. For Blood On the Silver Screen, these two sides fused for her most epic and realized music to date: the all-out Sasami pop record. “This album is all about learning and respecting the craft of pop songwriting, about relenting to illogical passion, obsession, and guiltless pleasure,” Sasami says. “It’s about leaning into the chaos of romance and sweeping devotion—romanticism to the point of self-destruction.” After establishing herself with the poised melancholia of her eponymous 2019 debut, Sasami embraced volume and control on 2022’s Squeeze, but her goal on Blood On the Silver Screen was to speak her truth with conviction by singing. Working with producers Jenn Decilveo and Rostam, with Sasami as sole writer, each Blood On the Silver Screen track viscerally captures a different thread of love, sex, power, and embodiment. “Pop music is like fuel,” Sasami says. “It’s just invigorating.” She came to that fact while training to tour Squeeze—shows that required her to run around with her Mockingbird guitar, mosh, leap off amps—at the gym. Sasami found herself fascinated by the high-octane music that sustains physical activity. “The gym became this place where I would exercise and be studying the music,” Sasami says. Eschewing today’s pop zeitgeist, Sasami gravitated towards late aughts and 2010s pop a la Britney Spears’ Femme Fatale and Lady Gaga’s Born This Way, plus Kelly Clarkson, Katy Perry, and Sia. She was influenced by modern country storytelling, mixing vulnerability with humor, and the mood board also included Prince, Japanese city pop, and the stadium-sized, denim-clad iconography of Bruce Springsteen. “I wanted to go all out with this album,” Sasami sats. “I wanted to, in my tenderness and emotionality, have the bravery to undertake something as epic as making a pop record about love. I hope it makes people feel empowered and embodied, too. It’s important to not box yourself in.