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ORCUTT SHELLEY MILLER are a guitar, bass, drums power trio. Featuring incendiary guitarist Bill Orcutt, psych-seer Ethan Miller (Comets on Fire, Howlin’ Rain), and dynamic powerhouse Steve Shelley (Sonic Youth). Despite rhythmic nods to the SoCal '60s, the overall vibe of Orcutt Shelley Miller is angular, atonal slash piled on a mid-'80s SST punk-fusionoid substrate, with Orcutt's bristling chords anchored by Miller's ebbing/ flowing bass. In the engine room, Shelley, the most beat-anchored of the trio, never quite abandons the two-and-four pocket but scrabbles around it, skitters over it, burrows under it, ultimately tapping a sort of Michael Hurley-gone-motorik vibe on the longer tracks. "Four-Door Charger," easily the most tranced-out of their tracks, passes through kraut-funk on the way to a solid Klaus Dinger-meets-Lothar Meid churn. Orcutt Shelley Miller’s self-titled debut album is out now on Silver Current, and sounds like a fully formed beast, rather than a mere sum of its distinctive parts. For the improv shy listener, I can gladly inform you that it sounds like Orcutt sketched out a few of the heads beforehand, so there's plenty to clutch onto amidst the slashing Ginn-esque tritones, and plenty of the right-angle bursting-clockwork solos that define Orcutt's hypnotic phrasing. ‘Orcutt Shelley Miller’ reads like a "big rock statement" by its constituents that treads the line between good times and blown minds, and as such, it's a top-shelf repeat spinner. https://orcuttshelleymiller.bandcamp.com/album/orcutt-shelley-miller EARTHBALL are a wild ensemble from Canada, mainly based on Vancouver Island. EarthBall's live shows epitomise their commitment to spontaneous composition, offering audiences a unique experience with each performance. The last two years have seen EarthBall release their debut LP 'It's Yours' and a live album entitled 'Actual Earth Music - Volume 1 & 2' featuring Chris Corsano and Steve Beresford on Upset The Rhythm. This winter they returned with their best effort to date 'Outside Over There’ - a gathering of sound at the forest's edge; where feedback, saxophone screams, and ecstatic vocals dissolve the boundary between chaos and clarity. https://upsettherhythm.bandcamp.com/album/outside-over-there

Eyvind Kang has Asian-Icelandic roots and was born in Oregon in 1971. He began playing the violin at the age of six, but quickly became interested in other instruments such as the guitar, bass, drums, etc. At Cornish College, Kang not only met his mentor, violinist Michael White (John Handy Quintet), but also established a musical connection with Wayne Horwitz, who introduced him to the young John Zorn. Soon after, John Zorn invited Kang to play with his group Cobra. He began recording his music for Zorn's label, Tzadik, also playing in other Zorn projects. In 1995, he met Bill Frisell for the first time, who approached him to collaborate on a soundtrack. Bill Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings, whose catalog has been cited by Downbeat as “the best recorded output of the decade”. Grammy nominated, his latest recording is entitled Orchestras released April 2024 on Blue Note. In the trio format he’s favored throughout his career, the guitarist and composer has always projected an orchestral scope - through his remarkably complete sense of harmony, a unique gift for melodies that remain with you long after a performance, and a keen feel for how dynamic range can be used to convey emotion.