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Find the best music events and make the most of your time in London. From music to trivia and more, we have the biggest event range and best discovery experience, there's something for everyone.

Carbon Based Lifeforms (CBL) are Johannes Hedberg and Daniel Vadestrid based in Goteborg, Sweden. They have released 7 official full length albums: ‘Hydroponic Garden’ (2003), ‘World of Sleepers’ (2006), ‘Interloper’ (2009) and ‘Twenty Three’ (2012), ‘Derelicts’ (2017), ‘Stochastic’ (2021) and ‘Seeker’ (2023). Their music has been extraordinarily well received by connoisseurs within the ambient scene and well beyond. In a top 30 chart of the best Psybient albums of all time compiled by Rate Your Music, CBL were rated at # 1, 2, 5, 16 and 26 alongside such great artists as Sphongle, Solar Fields, Ott, AES Dana and many others. CBL aim to combine earth and space in their music, using the combination of nature and technology as the main inspiration for their work. They have played all over Europe and the US including many festival appearances such as Symbiosis (US), Anthropos (UK) and Ozora (Hungry) and in April 2025 played an incredible sold out show at London EartH Theatre.

Y U QT join us for four Saturdays in April.

Nothing + Supports. This is an 18+ event. Presented by Outbreak Festival.

AEG Presents: HighSchool \+ support

Spinning songs that Boogie, Bounce, Jump, Dance and Shake from Arctic Monkeys, The Beastie Boys, Daft Punk, David Bowie, James Brown, Madonna and MORE. DJs ‘til 12.30 | Taco Collective ‘til 9 | Free Entry

Join us for an unforgettable night as The Rumpled takes the stage at The Underworld on Monday, 20th April. Prepare yourself for a unique musical experience filled with eclectic tunes and electrifying energy. This evening promises a mix of captivating performances, vibrant atmosphere, and the camaraderie of fellow music lovers. Don’t miss your chance to see The Rumpled live! This is a 14+ event. 14 and 15 year olds MUST be accompanied by an adult (18+) / All ticketholders under the age of 25 will be required to carry PHOTO ID.

**A true polymath of modern creativity, Nissi brings her vibrant fusion of Afrobeats, funk, and soul to our stage for an evening of infectious contemporary afrobeats.**

Join us for singalong fun twice a month, every second and last Friday! Bringing you the ultimate live band Karaoke experience that will set the tone for an unforgettable year. Be part of the action as you step into the spotlight and belt out your favourite tunes in front of a lively crowd. Channel your inner Debbie Harry, Ed Sheeran, or Justin Bieber and make this year's Rockaoke a night to remember! A unique Karaoke singing experience. A perfect experience for anyone!

I’m taking over Phonox for my debut residency! I’m stamping this takeover with first-class producers and DJs from the SWANA region and beyond. This is a producer-heavy dispatch with music built from the ground up by artists crafting their own scenes and sounds. Not mass-produced or mainstream edits. Signed, sealed, delivered and carefully selected with intention - and you’re all invited!

Get ready for Candyland! The Soca Foam Fete, one of London’s biggest soca parties to kick off 2026. Presented by Soca Nation LDN, this event brings non-stop soca, heavy bass, and a high-energy foam fete atmosphere. Expect a packed dancefloor, strong Caribbean vibes, and a crowd ready to move all night. Come prepared to rep your flags, enjoy the music, and experience something different.

ORCUTT SHELLEY MILLER are a guitar, bass, drums power trio. Featuring incendiary guitarist Bill Orcutt, psych-seer Ethan Miller (Comets on Fire, Howlin’ Rain), and dynamic powerhouse Steve Shelley (Sonic Youth). Despite rhythmic nods to the SoCal '60s, the overall vibe of Orcutt Shelley Miller is angular, atonal slash piled on a mid-'80s SST punk-fusionoid substrate, with Orcutt's bristling chords anchored by Miller's ebbing/ flowing bass. In the engine room, Shelley, the most beat-anchored of the trio, never quite abandons the two-and-four pocket but scrabbles around it, skitters over it, burrows under it, ultimately tapping a sort of Michael Hurley-gone-motorik vibe on the longer tracks. "Four-Door Charger," easily the most tranced-out of their tracks, passes through kraut-funk on the way to a solid Klaus Dinger-meets-Lothar Meid churn. Orcutt Shelley Miller’s self-titled debut album is out now on Silver Current, and sounds like a fully formed beast, rather than a mere sum of its distinctive parts. For the improv shy listener, I can gladly inform you that it sounds like Orcutt sketched out a few of the heads beforehand, so there's plenty to clutch onto amidst the slashing Ginn-esque tritones, and plenty of the right-angle bursting-clockwork solos that define Orcutt's hypnotic phrasing. ‘Orcutt Shelley Miller’ reads like a "big rock statement" by its constituents that treads the line between good times and blown minds, and as such, it's a top-shelf repeat spinner. https://orcuttshelleymiller.bandcamp.com/album/orcutt-shelley-miller EARTHBALL are a wild ensemble from Canada, mainly based on Vancouver Island. EarthBall's live shows epitomise their commitment to spontaneous composition, offering audiences a unique experience with each performance. The last two years have seen EarthBall release their debut LP 'It's Yours' and a live album entitled 'Actual Earth Music - Volume 1 & 2' featuring Chris Corsano and Steve Beresford on Upset The Rhythm. This winter they returned with their best effort to date 'Outside Over There’ - a gathering of sound at the forest's edge; where feedback, saxophone screams, and ecstatic vocals dissolve the boundary between chaos and clarity. https://upsettherhythm.bandcamp.com/album/outside-over-there

Eyvind Kang has Asian-Icelandic roots and was born in Oregon in 1971. He began playing the violin at the age of six, but quickly became interested in other instruments such as the guitar, bass, drums, etc. At Cornish College, Kang not only met his mentor, violinist Michael White (John Handy Quintet), but also established a musical connection with Wayne Horwitz, who introduced him to the young John Zorn. Soon after, John Zorn invited Kang to play with his group Cobra. He began recording his music for Zorn's label, Tzadik, also playing in other Zorn projects. In 1995, he met Bill Frisell for the first time, who approached him to collaborate on a soundtrack. Bill Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings, whose catalog has been cited by Downbeat as “the best recorded output of the decade”. Grammy nominated, his latest recording is entitled Orchestras released April 2024 on Blue Note. In the trio format he’s favored throughout his career, the guitarist and composer has always projected an orchestral scope - through his remarkably complete sense of harmony, a unique gift for melodies that remain with you long after a performance, and a keen feel for how dynamic range can be used to convey emotion.